Ava Display › Airports and transport

Every screen in the terminal knowing what hour it is.

Wayfinding, concessions, employee areas and the advertising estate usually run on four contracts, and none of them tells you when a screen goes dark.

Ava in an airport concourse as the totems light in a chain
Every screen in the terminal knowing what hour it is.
Airports and transport

One platform across the concourse, the concessions, the employee areas and the advertising estate.

Concourse wayfinding on one system, the concessions estate on another, employee screens on a third, and the advertising network on a fourth. Between them they are most of the glass in the building, and the thing they all have in common is that a screen goes black and nobody finds out until a passenger says so. One platform runs all of it, every screen reports whether it is actually rendering rather than whether a command was sent, and anything the airport already publishes as a feed can be on any of them.

A large lit advertising display in an airport concourse cycling through three different advertisers
Three advertisers on one structure, and a record that each one ran. Concourse networks, spectaculars and the backlit run above the carousels, usually sold by a media concessionaire. What decides a renewal is proof of play: which screen, which slot, on the day it was sold for.
A screen in an airside staff corridor showing a shift brief
The people who never open the intranet. Airside staff, concession crews and cleaners are the workforce internal communication misses entirely, and the screens they walk past are the only channel that reaches all of them.
A row of backlit advertising panels and a belt screen in an airport baggage hall
Backlit above the carousels is the highest dwell time in the building. Which is why it is sold that way. The belt number beside it comes from the same system, on the same screen estate, under one license.
A lit portrait wayfinding totem in an airport concourse
The screens that answer what nobody asks a person. Which way, how far, what is closed today. A lift out of service is something an airport knows in minutes and tells passengers hours later, if at all.
A run of four lit menu screens above an airport food hall counter
Concession hours are the most wrong information in any terminal. A unit that closed at nine is still listed at eleven and the passenger walks the length of a pier to find a shutter. Hours come from the concession rather than from a board updated at a refit.

Where we sit next to your flight displays

Flight information is operationally critical and usually runs on a dedicated system wired into the operational database, with redundant data paths and automatic failover. Most airports want that left exactly where it is, and we run alongside it happily: if the operational database publishes a feed, we render arrivals, departures and gate changes on the concourse, concession, lounge and employee screens that sit outside that certified path, so a passenger in the food hall sees the same gate change as the passenger standing under a flight board.

And if you want the critical path itself, that is a build and we will quote it. It comes with a specification rather than a feature list: failover time, redundant players, accessibility, language handling and an acceptance test written down and engineered to. We have always built to what a customer runs rather than to a supported list, and this is the same answer in a harder room.

What an airport asks first, before cost. Whether it opens a port, whether it touches the operational network, and whether a screen failing at three in the morning is something anybody finds out about. Outbound connections only, no inbound rules, and every screen reporting its own storage, temperature and render state continuously.

The advertising creative is video, and that is where the rate goes up. Full-motion spots on the concourse network and the spectaculars, in the daypart they were sold for, cached on each screen ahead of the slot so a busy morning never turns a paid spot into a still frame. The same path carries a terminal-wide announcement when it is needed.

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Runs alongside your flight information system today, and can be built to the critical path if you want it there.

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Any feed the airport already publishes can reach a screen, including operational data on non-critical displays.

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Priority messaging takes every screen at once, in order, and each one confirms it rendered.

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24 hour operation with per screen temperature, storage and render reporting, because a hot enclosure is what kills a player.

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Outbound only. No inbound rules and no change to the operational network.

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Adapters owned outright at $50 each, so a terminal refit does not become a hardware negotiation.

Ava

Why it behaves like this

None of the above is a playlist somebody maintains. Each screen is a surface for Ava, which holds one understanding of the place and knows which room it is in, so what belongs there at that hour is composed rather than authored. A concession list and a daypart are enough for her to keep a concourse honest while the operational systems keep doing their own job.

What Ava is
Order before 31 October

Two things included, and a price that stops moving.

  • Ava Display Edge included, on orders of 100 screens or more. Casting and content stay inside the building.
  • Your price is fixed for three years. What you order at is what you pay, and it is published rather than quoted.
Offer applies to orders placed before 31 October 2026. Prices are list; the hold applies to the price you order at.
Talk to us

A terminal is a thousand screens and four vendors.

At $40 per screen per year with the hardware owned outright, the interesting number is not ours. It is the sum of what the concourse, the concessions estate, the employee screens and the advertising network cost today under four separate contracts.

Work out your number